HISTORICAL FACT*

it is a historical fact! that the story has been played like an act !
there’s indeed a synopsis and sequel  …
but the characters and setting are not equal !



troubled is the fragrance that left me stained
reminded, tossed, inactive remains? spiked n’ chained !
i wish to train the cross left for me to bear
the markers are legislated : docile and unfair

it is a historical fact! that the lines are studied, written, & tracked!
there’s indeed a subject and plot …
but the producer failed at hiring the director’s slot !

whose forrest is being destroyed and whose lawn is in need of finely cut grass?
besides the mercenaries who only seek to exploit the working class?
BUT we’re kicking the glass so that it may fall
for this sound is a recall
that the shattering deposition of restricting forces may withstand even within an arid and calloused land/hand

it is a historical fact! that the story has been cracked!
there’s indeed hammers, screws, and drills ….
but the complex is yet incomplete, exempt from all the thrills!

we’re pumped y’all! ! 
cuz we’ve already been captured by a blood sucking thief
thus, certainly there’s no peace of mind or bodily relief
when in war – one can not simply refuse the score
only until the pedals and bullets are scattered on the floor
will the meaning of such sacrifice bum-rush the door

it is a historical fact! that the story has been stacked!
one coming in after the other, now the room is packed!
there’s indeed a selling point and central theme
one in which may create a distraction or a humorous meme ….

WEIGH THE MINUTE! TYPO OR FATE? (CH. 6: CONGREGATIONAL SONG? ALL TOGETHER NOW!)

*This is a 10 chapter endeavor that will be completed on December 21, 2020. The remaining 4 chapters will resume respectively as follows : 


11.21.2020 //

12.7.2020 // 12.14.2020 // 12.21.2020 //*

 

 

“sing along to my tun3!
follow my l3ad!
take caution, l3st you wander off to a m3lody that’s not min3!
hold onto the not3 that i’ll giv3 you :
that’s right!
carry along…
harmoniz3…
stay in the sam3 k3y!
don’t st33r too far!!
i can help you when you’r3 lost!!!
th3s3 l3ssons ar3 only for thos3 willing to stick to th3 not3s!!!!!!
you only g3t this shot and this opportunity isn’t bas3d on luck!
pr3par3 to b3 r3buk3d, when you r3vok3 my instruction !
i’m s3rious about this!
you can’t b3 joking around with your actions!
THIS IS ALL THAT MATT3RS – not your promis3!
how far ar3 you going to go?
D3P3NDS 3NTIR3LY ON MY MOTION!
trav3l light!
& pack with int3ntion!
but you must follow through – on my command!
W3IGHT THE MINUT3!
not too fast !
you ar3n’t following m3 anymor3 –
you’r3 off the lin3!
S33!!!
this is what happ3ns wh3n you don’t AGR33!
you hav3n’t r3ach3d the point of rhym3!
disdain! ord3r – i say! 3h, what3v3r – mak3 your own nois3?!
this c3rtainly has nothing to do with m3 anymor3!?mayb3 that’s how you lik3 it?!!?
– SiNgAlOnG2m3!!!

 

the truth of reconciliation is not always fun, especially when you’re very well versed in damaging behavior. it can be like ink on your hands not easily capable of being washed away with regular soap and water. it always takes more than what we’re willing to put in. sometimes you got to put some elbow grease with it!

 

“lEfT to write ! right to READ! brush to break a part the fat & GREED! UP & DOWN, side to sLiDe – foam through the mix and gLiDe!

take a lease on the GrEaSe – and work to ReLeAsE with no will to ever CeAsE – sauce your elbows and keep the pEaCe !”

GRANNY LIGHT would often tell TOMSON when making pancakes and fish – “You can’t be cute with the flip,.” Which was another way of saying – just get to the bottom of the surface and turn it over.

she wanted TOMSON to be cute with how he laid, the fish down. after seasoning the fish and making sure, the castor oil was hot before putting it in to fry – you needn’t worry about being burned. TOMSON knew the burn would sure nuff come, if he just threw the fish in the skillet as if he were afraid. GRANNY LIGHT, taught him how to lay it down cute. this soon became a lesson in TOMSON’S life, if he were ever going to turn over heads in the church by viewing the world differently, he had to be wild about it or at least cute with it.

TOMSON became quite aware that most of his traditional leanings were having less and less of an effect on himself, but this did not deter him from going back to his hometown in Shreveport, for summer. TOMSON never really liked Albuquerque, mainly because he was mainly missing his friends and the atmosphere of HOLY FIRE ON THE HILL!

While he didn’t agree with most of what they taught back at HOLY FIRE ON THE HILL, he learned how to eat the fish and spit out the bones. they preached a lot about hell and fiery damnation to all of those who did not get right with G-D. He became more and more annoyed at this message because he heard it more than hearing about the love and grace of G-D. in a heated argument with one of his best friends. he was told how Albuquerque was changing him into a more secular form of himself.

111420 WTMTOFCH6 CSATN
TOMSON never understood why his friend and so many others were so persistent with such an uninviting message about damnation and ‘LIVING HOLY’. It seemed the ONLY people who found that kind of scare tactic message to be of service, were those who were familiar with that kind of cut dry teaching to begin with. the way TOMSON saw it : that message certainly did not increase the membership of HOLY FIRE ON THE HILL, in fact it seemed more people left the church than joined after Hurricane RAYKWAN. when Tomson remarked this to his friend, he said that “the way of holiness is narrow and that while many were called BUT only a few were chosen.”

nonetheless, TOMSON still loved the energy of HOLY FIRE ON THE HILL and some familiar faces we’re happy to see him. TOMSON was getting even more confused by the amount of contradictions that were fully justified at the expense of traditional reliance. people there did not seem to be as confused as he was because they seemed to have more answers for questions. in fact, ‘confusion’ was often frowned upon whenever one admitted to its presence.

 

“For God is not the author of confusion, but of peace, as in all churches of the saints.” (1 Corinthians 14:33)

TOMSON always heard THIS as a response to any confrontation with confusion. he found it as one of the biggest paradoxes Confusion and Peace seemed to inhabit the same space on more than one occasion. certainly a hurricane and sudden change of pace – would cause some initial confusion, “for the story has yet to be told.” Tomson began to see that both OVERFLOWING RIVERS AND HOLY FIRE ON THE HILL – though they contrast, in some key ways, they simultaneously maintained a business minded structure. 

one in which by pressure, then OBLIGATED them *by doctrinal infallibility* to participate in giving and to do so with JOY ! but at what expense? TOMSON thought! the numb3rs in the bible appeared to reveal themselves in moving form in TOMSON’S life, except only now by specific percentages.

while the fear of hell began to dissolve in the evolution of TOMSON’S growth – another dichotomy of “give and receive” arose. TOMSON remembered eventually giving MOTHER VIRGINA the combination meal he ordered for himself and was told afterward ” G-D is gonna pour you out a blessing, that you won’t have room enough to receive!” while TOMSON smiled at mere poetry of this notion, it was exactly the type of obligation that both OVERFLOWING RIVERS AND HOLY FIRE ON THE HILL justified at various lengths if one would not ONLY give cheerfully but also RESPONSIBLY.

TOMSON AND RAPTUS began the quest of uncovering UNM3RIT3D FAVOR which expanded them beyond the confines of any legalistic appeal of “The CHURCH” and as such – they made it their S3ARCH, to break *and to help other’s break* completely free from any obligation which was tied to a baseless tithe. as it turns out, you could rob G-D – even when under a kN3W COV3NANT.

MIGHT // ABLE

The following script is in connection to a series of conversations entitled ‘Riddle Me That…’ which is due to release at the beginning of 2019.

Maybean: Hey Fo’sho!!! I was thinking about bringing to light an idea that has been stalking me in the back of my mind.

Fo’sho: Really Maybean? Why don’t you bring it into light, that way you can see if it’s a good idea or not?

Maybean: Perhaps I will. It would be nice to see what was done in the dark manifested in the light.

Fo’sho: Let’s do it. I’ll get started on the preparation.

Maybean: Well, I’m not ready yet, I’m still working on the basic idea.

Fo’sho: Let me know when you are ready, I can help you with the basic layout. If you don’t mind.

Maybean: That would be cool. I’ll try to remember when I get all the ideas in a clear format.

Fo’sho: You sound hesitant against my help.

Maybean: Well perhaps, I’m just not totally clear about what I want to do, yet.

Fo’sho: I’m capable of following out the plan for you?

Maybean: But the plan is still haunting me. It’s like that word that is on the tip of your tongue, that you can’t fully pronounce. Like seeing the picture in your head but being unable to illustrate all the fine details.

Fo’sho: You rarely if ever get the details fully flushed out. I can help with that if you are willing to receive my help. I need more than your willingness. I want you to sign my name so that I can show up on time.

Maybean: However, I am not totally sure if this idea is as fluid as you see it. If I work this idea with you, it won’t just be my idea but ours. You might add to it somethings I don’t want to be in it.

Fo’sho: How would you even know, if you haven’t even got the basic idea out?

Maybean: I suppose you are right.

Fo’sho: I volunteered to help you bring it out of the midnight corners of your mind. Whatever is out there in the dark may be bulky and less specific– you may be unable to do it on your own. We can collaborate on this together, if you want.

Maybean: I suppose, I don’t know? The way I measured the idea in my mind was just a scent and shade of something that had the potential to be bigger. It is not capable of letting me go. (*I don’t believe the idea will be given to someone else*.) I don’t have to say it over and over for me to remember it. It only takes once, and I’ll go back to it until when I can fully build on it. Perhaps, you can help me bring it out, a little later? Once I pull it beyond the shadows?

Fo’sho: Understood. By the way,

remember that script I told you, I was working on?

Maybean: I think I know which one you’re talking about.

Fo’sho: Well whether you think you know or have simply forgotten, that script is already done. I’m waiting for it to be edited so I can submit it to my publisher.

Maybean: The reason why I say, I THINK is because you never clarified which script you were talking about. You had several scripts you were working on. I wasn’t sure.

Fo’sho: My bad, I’m talking about the script about the drug planted by the government and addictive prostitutes entwined to it.

Maybean: I don’t recall that script? It matters none! Cheers! I’m glad you finished it.

Fo’sho: Yep, I been working on it for months, but I remained disciplined and I finished it before the due date.

Maybean: That’s remarkable!

Fo’sho: Have you ever thought about abiding by a specific guideline to help you bring out your ideas to light? It could help with your productivity. It helped with mine!

Maybean: Nah, I haven’t thought much about that.

Fo’sho: Well wouldn’t you want to try it now that you see it may work for your benefit?

Maybean: I May do that. I mean, you don’t see me suggesting to you my method of flushing out ideas not because you can’t do it but because it never occurred to me that you might find it interesting.

Fo’sho: My method seems more productive, but then again, I haven’t tried yours.

Maybean: And neither have I tried yours.

Fo’sho: I guess we both got work to do. Or we can continue blind? I suppose it doesn’t make much of a difference, if we arrive to the same lines of action.

Maybean: Our lines may be similar – they don’t got to be the same – you do your thing and I’ll do mine!

When Flowers Yawn

As flowers dream to glistening stars above

They entrance me deeply

The foggy morning appears to me

The empathy of softness

The coy awakening where flower’s stare

Eye see joy there – inside it

The stardust gyrating around your hair

Are peddles you’ll repel by reflecting

Inside through outside – our kinship
are sleepy dreams

The cool summer that you once knew

You’ll see in me entirely

When flowers awaken – the dozy spell will signal

Our arms to stretch

As flowers stretch from the inside – we are transfixed by their yawn

THIS POEM IS INSPIRED BY THE FLOW, ARRANGEMENT, AND PRODUCTION OF THE SONG ‘SACRED‘ BY SANANDA MAITREYA ON HIS LATEST ALBUM ‘ PROMETHEUS & PANDORA’

“Consciousness…”

 

“Consciousness expresses itself through creation. This world we live in is the dance of the creator. Dancers come and go in the twinkling of an eye but the dance lives on. On many an occasion when I’m dancing, I’ve felt touched by something sacred. In those moments, I’ve felt my spirit soar and become one with everything that exists. I become the stars and the moon. I become the lover and the beloved. I become the victor and the vanquished. I become the master and the slave. I become the singer and the song. I become the knower and the known. I keep on dancing and then, it is the eternal dance of creation. The creator and creation merge into one wholeness of joy. I keep on dancing and dancing… and dancing, until there is only… the dance.”

– Michael Jackson